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"The Exorcist: Believer" & "Fair Play"

From left: Lidya Jewett and Olivia Marcum (O'Neill) in The Exorcist: Believer (2023); Alden Ehrenreich and Phoebe Dynevor in Fair Play (2023).
The Exorcist: Believer, Blumhouse Prod./Morgan Creek Ent./Rough House Pictures/Universal Pictures, 2023. Fair Play, T-Street/Star Thrower Ent./MRC Film/Netflix, 2023.
From left: Lidya Jewett and Olivia Marcum (O'Neill) in The Exorcist: Believer (2023); Alden Ehrenreich and Phoebe Dynevor in Fair Play (2023).

We all have personal definitions of horror, ranging from strange noises in the night to Thanksgiving family gatherings. On this week’s show, Dan Webster, Nathan Weinbender, and Mary Pat Treuthart discuss a pair of films that explore very different notions of horror. One is the big screen franchise entry The Exorcist: Believer, released on the 50th anniversary of the late William Friedkin’s first in what became a staple horror series. The other is the turbulent domestic/business drama Fair Play.

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  • “Fair Play” is a study of love, lust and the dark side of ambition played out in the financial sector, Dan Webster says in his review.
  • From the director of the recent “Halloween” reboot series, “The Exorcist: Believer” is intended to introduce a new generation to a 50-year-old horror classic. But Nathan Weinbender says the power of Christ should compel you to stay far, far away from this boring would-be shocker.