Movies 101

We’re still a couple of months from the official start of summer, but that doesn’t mean that summer-type movies aren’t already upon us. This week, the Michelle Yeoh vehicle “Everything Everywhere All at Once” followed by the Agatha Christie adaptation “Death on the Nile.”

On this week’s show, Nathan Weinbender, Mary Pat Treuthart and Dan Webster discuss writer-director Richard Linklater’s work, beginning with a review of his latest film, the animated memoir of 1969 Houston, Texas, titled “Apollo 10½: A Space Age Childhood.”

On this week’s show, Nathan Weinbender, Mary Pat Treuthart and Dan Webster discuss writer-director Richard Linklater’s work, beginning with a review of his latest film, the animated memoir of 1969 Houston, Texas, titled “Apollo 10½: A Space Age Childhood.”

We all fear something. Ghosts, serial killers, UFOs, enclosed spaces or – Hitchcock famously – birds. Fear makes for a great movie theme. This week, two films whose narratives depend on inherent human fears: The succinctly titled “X” followed by the Irish feature “You Are Not My Mother.”

We all fear something. Ghosts, serial killers, UFOs, enclosed spaces or – Hitchcock famously – birds. Fear makes for a great movie theme. This week, two films whose narratives depend on inherent human fears: The succinctly titled “X” followed by the Irish feature “You Are Not My Mother.”

In the midst of March Madness, Movies 101 traditionally entertains a different kind of brain fever: Oscar Mania!

In the midst of March Madness, Movies 101 traditionally entertains a different kind of brain fever: Oscar Mania!

On this week’s Movies 101, we discuss "The Batman," which features “Twilight” star Robert Pattinson. Then the new animated Disney-Pixar feature film “Turning Red.”

On this week’s Movies 101, we discuss "The Batman," which features “Twilight” star Robert Pattinson. Then the new animated Disney-Pixar feature film “Turning Red.”

Grief comes in many forms, from the personal to the universal. This week on Movies 101, Dan Webster, Nathan Weinbender and Mary Pat Treuthart discuss a pair of films that traffic in both kinds of grief.