Ridley Scott’s film “Napoleon” has already inspired criticism of its bizarre central performance by Joaquin Phoenix and its lack of historical rigor. But Nathan Weinbender says the movie works as a dark comedy about a strange, impetuous, occasionally brilliant man.

Emerald Fennell’s “Saltburn” has a familiar plotline that doesn’t end up meaning much of anything, Dan Webster says in his review.

Since its release a few weeks ago, Sofia Coppola’s “Priscilla” has started a lot of conversation. It’s an adaptation of Priscilla Presley’s memoir about her life with Elvis, and Nathan Weinbender says it’s also one of Coppola’s best films.

In “The Holdovers,” Paul Giamatti plays a Scrooge-like prep-school teacher spending Christmas as a babysitter, Dan Webster says in his review.

It’s always an event when Martin Scorsese directs a new film, and his latest is the sprawling, violent historical drama “Killers of the Flower Moon.” Nathan Weinbender says it’s a painful, brutal epic that demands to be seen on the big screen.

The award-winning French film “Anatomy of a Fall” reinvigorates a familiar genre, the courtroom drama, Dan Webster says in his review.

“The Pigeon Tunnel” takes a look, close but maybe not close enough, at the enigma called John le Carré, Dan Webster says in his review.

“Killers of the Flower Moon” is a gripping depiction of a dark facet of American history by master filmmaker Martin Scorsese, Dan Webster says in his review.

There’s a new film from Spain that’s worth seeking out. It’s called “The Beasts,” and it concerns a growing tension between farmers in Galicia. Nathan Weinbender says it’s one of the best movies of the year.

“The Beasts” depicts the kind of culture clash that can lead to devastating events, Dan Webster says in his review.