An NPR member station
Play Live Radio
Next Up:
0:00
0:00
0:00 0:00
Available On Air Stations

Balazs sculpture finds new home at Whitworth after church closure

Kurt Balazs, son of Harold, admires a sculpture his dad made in 1961. The unique art piece was located at the Messiah Lutheran Church for 73 years before closing down.
Monica Carrillo-Casas/Spokane Public Radio
Kurt Balazs, son of Harold, admires a sculpture his dad made in 1961. The unique art piece was located at the Messiah Lutheran Church for 73 years before closing down.

Starting in 1961, a sculpture by revered Spokane artist Harold Balazs graced the wall behind the altar at the Messiah Evangelical Lutheran Church as a symbol of a timeless expression of faith.

Now, through a generous donation, this powerful piece will find new life at Whitworth University.

"I’m always so grateful when one of Harold's pieces is saved,” said Dirk Stratton, husband of Andrea Balazs, Harold Balazs’ daughter. “He's erected a lot of stuff all over the Pacific Northwest.

“Harold just wanted his stuff to be admired and enjoyed.”

Thursday afternoon, The Whitworth Permanent Art Collection team hosted a ribbon cutting where faculty members spoke about the notable addition to the school, including Whitworth President Scott McQuilkin and Art Collection and Art & Design Department Lecturer Stacey Moo. Family members Kurt Balazs, son of Harold Balazs, and Stratton also attended the event.

The four concrete panels that make up the sculpture, each symbolizing different themes of religion, weigh between 620 and 950 pounds each.

Designed to be read from top to bottom, the top panel focuses on Christ’s incarnation and infancy that includes a symbol of the nativity star that guided the wise men to Christ at his birth. The second panel focuses on Christ’s identity. The third is centered on prominent events in Christ’s story, including the Last Supper. The fourth panel focuses on Christ’s crucifixion and resurrection.

At least 20 people gathered around the staircase at the Hixson Union Building where the sculpture now resides, many murmuring appreciation of the location. The sculpture previously stood towering above the altar of the Messiah Lutheran Church before the congregation closed and sold the building last year.

“We've chosen to install the Messiah reredos in this space because it is a public space where not only students, but frequently faculty, staff and visitors pass by on their way to lunches and meetings upstairs in our crow's nest,” Moo said. “Our aim was for as many people as possible to have access to this piece, and so we are really grateful that all of these people came together to preserve Balazs reredos as a Christian university.

“It is our hope that this artwork will spark reflection on the life of Christ and the role of art in the Christian life for generations of students, staff, faculty and visitors to come.”

Moo said Whitworth officials learned about the sculpture in September after the church contacted them, and by earlier this month, they were able to install it. People quickly came together to rescue the artwork, as a cultural and artistic piece of Spokane, Moo said.

“Pastor Bob Kenyon was instrumental in being able to bring it here, and we also had Bouten Construction who came out and looked at it and donated their time and resources to take it down from the church and to move it here,” she said.

Kenyon led Messiah Evangelical Lutheran Church at Longfellow Avenue and Belt Street until it closed last year and is still the pastor of Zion Lutheran Church in Millwood.

Harold Balazs, who died in 2017, is one of the most celebrated artists of Spokane. His public art in the Northwest includes the Centennial Sculpture in the Spokane River between the Washington and Stevens street bridges, the Rotary Fountain in Riverfront Park, and an untitled tower adjacent to the First Interstate Center for the Arts.

Kurt Balasz said he often assisted with his dad’s artwork, but this piece in particular was something his father created on his own.

“I remember I got my first scar when I was 10 years old,” Kurt said, jokingly, pointing to his right pinky.

Stratton said that just a week ago, he didn’t know this iconic artwork existed, and he was excited to finally see it in person.

“We were so happy to be able to come down and see that Harold made so much stuff,” Stratton said. “There's no one who has ever seen everything, so this is brand new for me, and I'm so glad to be able to see something new.

“We’re so grateful.”

To close the event, Kenyon led attendees in prayer.

Monica Carrillo-Casas joined SPR in July 2024 as a rural reporter through the WSU College of Communication’s Murrow Fellows program. Monica focuses on rural issues in northeast Washington for both the Spokesman-Review and SPR.

Before joining SPR’s news team, Monica Carrillo-Casas was the Hispanic life and affairs reporter at the Times-News in Twin Falls, Idaho. Carrillo-Casas interned and worked as a part-time reporter at the Moscow-Pullman Daily News, through Voces Internship of Idaho, where she covered the University of Idaho tragic quadruple homicide. She was also one of 16 students chosen for the 2023 POLITICO Journalism Institute — a selective 10-day program for undergraduate and graduate students that offers training and workshops to sharpen reporting skills.