On this week’s show, Dan Webster, Mary Pat Treuthart and Nathan Weinbender discuss a pair of movies that depend on the relationships forged—and in other cases broken—by a range of characters. The first is “Caught Stealing,” a change of pace for director Darren Aronofsky, and the second is “Splitsville,” a study of missed connections and emotional chaos and how both affect a pair of marriages.

On this week’s show, Dan Webster, Mary Pat Treuthart and Nathan Weinbender discuss Spike Lee’s newest film “Highest 2 Lowest,” which is his version of Ed McBain’s 1959 novel “King’s Ransom,” as well as take a look back at another McBain adaptation, Japanese filmmaker Akira Kurosawa’s 1963 film “High and Low.”

On this week’s show, Dan Webster, Nathan Weinbender, and Mary Pat Treuthart discuss two films that offer chance to enjoy the kind of intensity that comes from indulging in a fictional world. The first is “Weapons,” a box-office-busting exercise in horror, and “Cloud,” a psychological thriller from Japan.

On this week’s show, Dan Webster, Nathan Weinbender, and Mary Pat Treuthart discuss a trio of films, all of which are either sequels or reboots and all of which—like their earlier counterparts—test the limits of farcical comedy. They start off with “The Naked Gun,” followed by “Happy Gilmore 2” and then end with “Freakier Friday.”

On this week’s show, Dan Webster, Nathan Weinbender, and Mary Pat Treuthart discuss a pair of streaming documentary features that focus on well-known public figures from the past—TV host Ed Sullivan in Netflix’s “Sunday Best: The Untold Story of Ed Sullivan,” and Jayne Mansfield in HBO Max’s “My Mom Jayne.”

On this week’s show, Dan Webster, Nathan Weinbender, and Mary Pat Treuthart discuss a pair of Sundance Film Festival releases that are well worth checking out—the first is Eva Victor’s “Sorry, Baby” and the second is Sophie Brooks’ “Oh, Hi!”

On this week’s show, Dan Webster, Nathan Weinbender, and Mary Pat Treuthart discuss two movies that reveal their narratives through the eyes of very different characters. The first is the Ari Aster feature “Eddington,” and the second is “Don’t Let’s Go to the Dogs Tonight,” the first venture as writer-director by the actress-turned-filmmaker Embeth Davidtz.

On this week’s show, Dan Webster, Nathan Weinbender, and Mary Pat Treuthart discuss a pair of big-screen bonanzas, both of which are part of far-larger franchises. The first is the newest iteration of “Superman,” this one directed by James Gunn, and they pivot from there to the Gareth Edwards-helmed “Jurassic World Rebirth,” the seventh in a series dating back some three decades.

On this week’s show, Dan Webster, Nathan Weinbender, and Mary Pat Treuthart discuss a pair of films that indulge in fantasy, each conforming to its particular genre. The first is the racing film “F1” and the second is the existentialist meditation titled “The Life of Chuck.”

On this week’s show, Dan Webster, Nathan Weinbender, and Mary Pat Treuthart discuss a recently published list the New York Times editors are proclaiming as the "100 Best Movies of the 21st Century," and list their own picks for the top 10.