On this week’s show, Dan Webster, Nathan Weinbender and Mary Pat Treuthart talk about the contemporary moviegoing scene as the end of year 2025 approaches, whether that involves going to a theater or simply staying at home and taking advantage of your favorite streaming service.

On this week’s show, Dan Webster, Nathan Weinbender and Mary Pat Treuthart discuss a pair of films that, each in its own way, focuses on characters who suffer from regrets that prove nearly, if not completely, paralyzing.

On this week’s show, Dan Webster, Nathan Weinbender, and Mary Pat Treuthart discuss two films that explore the relationship between parent and child.

On this week’s show, Dan Webster, Nathan Weinbender, and Mary Pat Treuthart discuss two movies that focus on characters who don’t so much flirt with crime but embrace it wholeheartedly.

On this week’s show, Dan Webster, Nathan Weinbender, and Mary Pat Treuthart discuss the Apple TV five-part biographical miniseries “Mr. Scorsese” and offer up thoughts about some of the man’s choicest works.

On this week’s show, Dan Webster, Nathan Weinbender, and Mary Pat Treuthart discuss two films that focus on characters showing signs of mania. The first is director Lynne Ramsay’s “Die My Love,” and the second is Guillermo del Toro's “Frankenstein."

On this week’s show, Dan Webster, Nathan Weinbender, and Mary Pat Treuthart discuss two films that tackle polar-opposite themes in an attempt to create cinematic art. The first is “Bugonia,” written and directed by the Greek-born filmmaker Yorgos Lanthimos. The second is “Train Dreams,” a film directed and co-written by Clint Bentley.

On this week’s show, Dan Webster, Nathan Weinbender, and Mary Pat Treuthart discuss “Springsteen: Deliver Me From Nowhere,” Scott Cooper’s study of Bruce Springsteen’s struggle to record his album “Nebraska,” followed by “It Was Just an Accident,” which is Iranian writer-director Jafar Panahi’s study of revenge and redemption.

On this week’s show, Nathan Weinbender, Mary Pat Treuthart, and Dan Webster try to provide an answer to the question, "what exactly is the point of movie criticism... or, more to the point, movie critics?"

On this week’s show, Dan Webster and Nathan Weinbender discuss a pair of films by critically-acclaimed filmmakers that swim, or sink, based on the strength of their screenplays.