Carson Lund’s film “Eephus” is an ode both to the game of baseball and the everyday players who can’t stop loving it, Dan Webster says.

"The Ballad of Wallis Island" is about a disgruntled musician, his former partner, and the superfan who brings them back together. Nathan Weinbender says it’s a charming little comedy, especially if you like a distinctly British brand of wit.

The film “Warfare” inserts us in an intense combat situation, even as it ignores the larger political implications, Dan Webster says.

The third season of the MAX series “The White Lotus” builds toward a disappointing finale, Dan Webster says.

With an all-star cast and a buzzy premise, “Death of a Unicorn” blends fantasy, comedy and horror. Unfortunately, Nathan Weinbender says, it’s one of the biggest letdowns of the year so far.

Set during an incendiary time, “The Penguin Lessons” fails to rise above its protagonist’s self-involvement, Dan Webster says.

In directing “CHAOS: The Manson Murders,” documentary filmmaker Errol Morris tries to ferret out a conspiracy, Dan Webster says.

Michael Fassbender and Cate Blanchett star in the espionage thriller “Black Bag,” Steven Soderbergh’s second feature of 2025. Nathan Weinbender says it’s an entertaining genre exercise and a surprising domestic comedy about work-life balance.

“Mickey 17” is Bong Joon-ho’s first film since “Parasite,” starring Robert Pattinson as an ill-fated worker on a ship headed to a new planet. Nathan Weinbender says the movie is broken up into halves, one much more compelling than the other.

“Universal Language” is a true sleeper, a Canadian comedy that imagines a version of Winnipeg that has an Iranian cultural influence. The movie is opening at the Magic Lantern, and Nathan Weinbender says you should give it a shot.