Sketch Comedy

In this episode we discover that to our relief it’s the last one, ever, until the series is somehow resumed at some point.

This episode’s relaxed sense of emergency carries us soon to an account of how Kevin was wedged between sandbags during a flood as a 9-year-old, while Tony, unaccountably, wasn’t.

In the tradition of great and powerful critiques of timid thinking, Jacques d'Temps-en-temps and Hans Fluker return one last time to lament Men in Charge's portrayal of them as well as to lambast Tony and Kevin for their decision not to include more KISS and hovercrafts in their sketches.

This episode gets Biblical through unwieldy, unconvincing inference.

There’s room for you on the Lord’s sofa because Tony and Kevin have come to the end (that is, they’ve “put down”) two long-running series.

The year is 1541 in a world much different from ours. Join an intrepid band of inventors, spies and scapegraces in an adventure that puts the hole Schmalkaldic saga in context!

The year is 1541 in a world much different from ours. Join an intrepid band of inventors, spies and scapegraces as something watery this way comes!

In this episode, we learn why Assassin School is like summer camp but with even more blood and humiliation.

Why are they above the Law? Because the Law sets a low Bar—look how many people pass it every year—and Tony and Kevin stride the world like a couple of tall people.

We quickly learn why Coroner’s office reform, long sought by Coroner’s Office reformers like Kevin, is best performed by cheerleaders: young men in skirts, even if Tony and Kevin get laughed out of the Coroner’s office yet again.