Lance Oppenheim’s Primetime takes a critical look at the man behind the television show “To Catch a Predator,” Dan Webster says.

In Lance Oppenheim’s Primetime, Robert Pattinson plays Chris Hansen, the host of “To Catch a Predator” on the hunt for ratings and journalistic recognition. Nathan Weinbender says the movie is a simplistic but oddly compelling true-life horror story.

Ross McElwee’s documentaries are quirky, stream-of-consciousness considerations of his own life and the world around him. In Remake, now on VOD, he stitches together archival footage to process the death of his son, and Nathan Weinbender says it’s a wounding, complicated and deeply moving film.

Hope is the most expensive Korean film ever made, a blockbuster about a small town, an alien invasion and lots of chases. It has already been a divisive movie, and Nathan Weinbender says it’s a kooky, wildly ambitious and noticeably flawed epic.

As the biopic Tony shows, movie attempts to capture the character of a real person all too often fall flat, Dan Webster says.

The End of Oak Street is a standard family-in-crisis movie with a fantastical dystopian conceit, Dan Webster says.

This weekend, the bizarre, brazenly stupid 2001 cult comedy Wet Hot American Summer returns to theaters. Nathan Weinbender says it’s a great excuse to see some brilliantly silly jokes and an all-star cast before they were stars.

Spider-Man: Brand New Day proves that a superhero movie can have a heart at its center, Dan Webster says.

You’ve probably never heard of the microbudget Burt, but Nathan Weinbender says this unassuming comedy about a musician and his estranged son is a buried treasure worth digging up. It’s now streaming on Kanopy.

Blue Heron tells the story of how one child’s emotional problems affects the other members of his family, Dan Webster says.