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Spike Lee’s latest joint "Highest 2 Lowest" is out, and Nathan Weinbender says it’s an uneven but thought-provoking redo of an Akira Kurosawa classic. It’s now playing at the Magic Lantern and is streaming on Apple TV+.

Among the many recent remakes, or reboots, of popular franchises, is “Freakier Friday” even necessary? Dan Webster asks.

“Sorry, Baby” takes us into the world of a woman still coming to grips years after a traumatic experience, Dan Webster says.

Embeth Davidtz’s film “Don’t Let’s Go to the Dogs Tonight” is powered by a 7-year-old’s powerful performance, Dan Webster says.

“The Life of Chuck” is a meditation on this experience we call life, and how our memories give it meaning, Dan Webster says.

Wes Anderson imbues his film “The Phoenician Scheme” with all the familiar, artistic trappings of his idiosyncratic style, Dan Webster says.

Ari Aster’s violent comedy "Eddington" has only been out for a week and it’s already the most divisive film of the year. Nathan Weinbender says it’s got a lot of ideas but doesn’t add up to much.

Spokane Symphony Music Director James Lowe and Symphony Chorale Director Meg Stohlmann discuss many aspects of choral music with host Jim Tevenan

Heather Murphy Capps reads an original poem and a poem by William Carlos Williams

"Caught Stealing" stars Austin Butler as a regular joe pulled into a criminal conspiracy in 1998 New York. Nathan Weinbender says the latest from director Darren Aronofsky plays like the cartoon version of a gritty thriller.