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Dennis Held reads "Monster" by Derek Sheffield.

Dennis Held reads "What is Left, Grena Denmark" by Kevin Miller.

“Under the Banner of Heaven” is the latest attempt to portray real-life events in a fictional context, Dan Webster says in his movie review.

Dennis Held reads his original poem "Peacock Rex"

Since the 1970s, David Cronenberg has made movies for people with weird tastes and strong stomachs. The Canadian auteur is back with “Crimes of the Future,” a violent sci-fi fable that, Nathan Weinbender says, plays like Cronenberg’s greatest hits.

“The Kids in the Hall: Comedy Punks” is a new documentary on Prime Video examining the legacy of the cult sketch group known for crushing heads and dressing in drag. Nathan Weinbender says it’s perhaps too conventional, but it’s still a treat for fans.

Nicolas Cage might have an Oscar, but he’s not always in the best movies. Nathan Weinbender takes a look at his latest, “The Unbearable Weight of Massive Talent,” which is a smart, funny deconstruction of Cage’s weird career and works wonders with his unbridled intensity.

The 48th annual Seattle International Film Festival wrapped recently, its return to theaters following an all-digital edition in 2021. Nathan Weinbender saw a number of upcoming movies both virtually and in person, and he runs down some highlights.

If 2022 produces a stranger, more divisive movie than the new horror curiosity “Men,” it’ll be quite a year. Nathan Weinbender takes a look at the latest provocation from Alex Garland, which is the sort of movie that most people will hate and a select few will love.

Dennis held reads "Perception" by Kathryn Smith.