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In this episode we discover that to our relief it’s the last one, ever, until the series is somehow resumed at some point.

David Borodin reads "Weary Blues" by Langston Hughes.

David Borodin reads "Listening" by Amy Lowell.

David Borodin reads his original poem "Hope in None but You."

Neal Schindler of Spokane Area Jewish Family Services previews this year's SJCFF

Joe Berlinger’s documentary “Madoff: The Monster of Wall Street,” is a commentary about sociopathic greed, Dan Webster says in his review.

Local theater and poetry lover reads a work about literary supplication

Close takes a look at male friendship on the cusp of adulthood and the view is a sad one, Dan Webster says in his review.

He may be divisive these days, but there’s no denying M. Night Shyamalan is once again a household name. Nathan Weinbender takes a look at the director’s latest, “Knock at the Cabin,” a simple story told with riveting style.

Despite the occasional exception, European cinema has always felt different from American cinema. Call what they do more experimental, more serious, more thoughtful, whatever, European filmmakers—the best ones, at least—distinguish themselves by refusing to pander to mainstream tastes. This week Dan Webster, Nathan Weinbender and Mary Pat Treuthart discuss a pair of European films that are prime examples of the European filmmaking ethos. First up is the Polish-made EO followed by the Belgian-made Close.