Trump has claimed that the only way he can lose on election day is if there’s voter fraud. New York Times reporter Nick Corasaniti explains the battle over the ballot box and post-election results.

After buying Twitter in 2022, Elon Musk instituted sweeping changes — including rebranding the social media platform as "X." Authors Kate Conger and Ryan Mac recount the takeover in Character Limit.

In Creation Lake, a hard-drinking American spy infiltrates a radical farming collective in a remote region of France. Kushner challenges readers to keep up with her and not to flinch.

Jessica Pishko says a group of sheriffs have become a flashpoint in the current politics of toxic masculinity, guns, white supremacy and rural resentment. Her book is The Highest Law in the Land.

Tomlinson was initially unsure about sharing her bipolar II diagnosis on stage. But, she says, "I got such amazing feedback from people who had been struggling with their mental health."

Director Tim Burton seems more interested in updating than duplicating his 1988 hit. Beetlejuice Beetlejuice demonstrates affection for the characters and genuine curiosity in how they’re doing now.

David Bianculli reviews Wise Guy, a documentary about the landmark HBO series. Plus, we listen back to archival interviews with creator David Chase, and actors Michael Imperioli and Lorraine Bracco.

Season 4 brings a fresh influx of guest talent to Only Murders in the Building — but the new faces don’t outshine the crimefighting, podcasting stars: Steve Martin, Martin Short and Selena Gomez.

New Yorker writer David Kirkpatrick says anti-fascists are using extra judicial methods to do what the FBI can't, by infiltrating white nationalist groups to expose them and planned attacks.

The first Black woman appointed to the Supreme Court says Henry Wadsworth Longfellow's poem, "The Ladder of Saint Augustine," has been a guiding principle. Jackson's new memoir is Lovely One.