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Every generation of movie fans has its favorite era of filmmaking, often the very one it inhabits. Some of us, though, look to the past. This week Dan Webster, Mary Pat Treuthart and Nathan Weinbender discuss a pair of movies that, each in its own way, pays tribute to the past. The first is “Blonde,” an artistic – to some controversial – look at the life and career of the actress Marilyn Monroe. The second is “Dead for a Dollar,” which is a tribute to the school of the B-western.

Join Zan as she has a phone interview with South Australian multi-instrumentalist Matt Davis aka Mode Shifter. They will be talking about Matt's new EP, Sunsets and Bruisers, and what inspires and motivates him as a musician and producer.

In his 1954 book “The Doors of Perception,” Aldous Huxley argued that psychedelic drugs allowed him to see life as it really is. But did they, really? This week, Dan Webster, Mary Pat Treuthart and Nathan Weinbender discuss three movies, each of which addresses differing perceptions of reality: In order, the three are “Don’t Worry Darling,” the documentary feature “Moonage Daydream” and the horror film “Barbarian.”

“Don’t Worry Darling” is a bright, splashy but muddled feminist commentary

Eva Silverstone of the Spokane Public Library discusses the first year of The Hive

Cast and creatives talk about Joshua Harmon's "New York comedy"

In this episode, we learn why Assassin School is like summer camp but with even more blood and humiliation.

Russell Flemming reads his original poem, "Politics Back Home"

Why are they above the Law? Because the Law sets a low Bar—look how many people pass it every year—and Tony and Kevin stride the world like a couple of tall people.

The actors and director of Admissions discuss Joshua Harmon's topical play