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Dance artist Karin Stevens joined host Henry McNulty via Zoom to discuss her upcoming residency and performances at Gonzaga University.

Ari Aster’s violent comedy "Eddington" has only been out for a week and it’s already the most divisive film of the year. Nathan Weinbender says it’s got a lot of ideas but doesn’t add up to much.

On this week’s show, Dan Webster, Mary Pat Treuthart and Nathan Weinbender discuss Spike Lee’s newest film “Highest 2 Lowest,” which is his version of Ed McBain’s 1959 novel “King’s Ransom,” as well as take a look back at another McBain adaptation, Japanese filmmaker Akira Kurosawa’s 1963 film “High and Low.”

Spike Lee’s latest joint "Highest 2 Lowest" is out, and Nathan Weinbender says it’s an uneven but thought-provoking redo of an Akira Kurosawa classic. It’s now playing at the Magic Lantern and is streaming on Apple TV+.

Among the many recent remakes, or reboots, of popular franchises, is “Freakier Friday” even necessary? Dan Webster asks.

“Sorry, Baby” takes us into the world of a woman still coming to grips years after a traumatic experience, Dan Webster says.

Embeth Davidtz’s film “Don’t Let’s Go to the Dogs Tonight” is powered by a 7-year-old’s powerful performance, Dan Webster says.

“The Life of Chuck” is a meditation on this experience we call life, and how our memories give it meaning, Dan Webster says.

Wes Anderson imbues his film “The Phoenician Scheme” with all the familiar, artistic trappings of his idiosyncratic style, Dan Webster says.

Julianne Moore plays a desperate mother and Sydney Sweeney is her troubled daughter in the neo-noir “Echo Valley.” Nathan Weinbender says the film, streaming on Apple TV+, is a well-made diversion that could have been a lot more.