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Love may make the world go round, as the song goes, but these days love is – as another song goes – a many-splendored thing. This week Dan Webster, Mary Pat Treuthart and Nathan Weinbender discuss two films that are different explorations of the classic love story. One is “Ticket to Paradise,” and the other is “Bros.” We’ll also tackle the recent adaptation of author Gregory McDonald’s second “Fletch” novel, “Confess, Fletch.”

Local percussionist Taylor Belote performs seasonal tunes with an island vibe

This week's TA(P) touches on Native music, opera and alt-weekly arts coverage

Teenage pianist Daniel Beal performs pop, traditional and classical holiday tunes

Damien Chazelle scored a hit and a best director Oscar for his squeaky clean musical “La La Land.” Now he’s made the flip side, a violent, depraved Hollywood history called “Babylon.” Nathan Weinbender takes a look at the divisive epic, which he found to be an exhausting endurance test.

Director Susan Hardie and her cast preview a play about an unsung science pioneer

Artist Siri Stensberg describes her immersive new exhibition at SFCC

Now on Netflix, the documentary “Is That Black Enough for You?!?” tells the story of the rise of African-American filmmakers in the 1970s, telling stories through clips and interviews. Nathan Weinbender says your queue will practically double after watching this thoughtful visual essay.

It’s the final week of 2022, and movie fans everywhere are assembling their best-of lists. Nathan Weinbender is reflecting on the cinematic riches of the year and calling out some gems that are still waiting to be discovered on streaming platforms.

Brendan Fraser’s performance glows beneath a mound of makeup in “The Whale,” Dan Webster says in his movie review.