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The new satire “Triangle of Sadness” eviscerates the ruling class, following a couple of models from the comfort of a luxury yacht to the lawlessness of a desert island. Nathan Weinbender says you’ll either find the film outrageously funny, or outrageously obvious.

From the archives: Norvel Trosst reads Call of the Wild by Jack London

It’s the time of year for inspirational movies, and Netflix’s “The Swimmers” fills that role well, Dan Webster says in his review.

Michael Daley reads his original poem "Dark Times."

Michael Daley reads "Point No Point" by Maryna Ajaja.

Michael Daley reads his original poem "Bird Count on Back Roads."

Relationships are essential but sometimes they can be hard to negotiate, and this is true whether we’re talking about romantic or family connections. This week Dan Webster, Mary Pat Treuthart and Nathan Weinbender discuss a pair of movies that take very different looks at the nature of relationships. The first is Luca Guadagnino’s “Bones and All” followed by Joanna Hogg’s “The Eternal Daughter.”

Jim Mohr and Mike Winser chat about the improv theater's classes and holiday lineup

“Decision to Leave” is South Korean filmmaker Park Chan-wook’s first feature in 6 years, the story of a police detective and his suspect getting uncomfortably close. Nathan Weinbender says it was worth the wait, a complicated, beautifully made mystery.

Steven Spielberg is arguably the most famous filmmaker of all time, and he’s looking back at his own cinematic history in“The Fabelmans.” Nathan Weinbender says it’s a rich, humanist film, and a whole lot more than just a Norman Rockwell slice of life.