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On this week’s show, Dan Webster, Nathan Weinbender and Mary Pat Treuthart discuss Steven Soderbergh’s newest film, “The Christophers,” which stars the great stage actor Ian McKellen. They follow that with a look at the latest film by the Palestinian-American director Cherien Dabis titled “All That’s Left of You.”

In the Barbershop, NPR's Don Gonyea speaks with Washington Post's Kevin Blackistone, The Nation's Dave Zirin, and USA Today's Christine Brennan about the biggest stories in sports in 2018.

Over the past 20 years, mass shootings have resulted in communities of survivors. Heather Martin, who was a senior at Columbine High School in 1999, runs a nonprofit that connects them.

“Decision to Leave” is South Korean filmmaker Park Chan-wook’s first feature in 6 years, the story of a police detective and his suspect getting uncomfortably close. Nathan Weinbender says it was worth the wait, a complicated, beautifully made mystery.

This year's Tiny Desk Contest was truly like no other. Our winner stood out from the over 6,000 entries with a song about slowing down and enjoying life that captivated our judges.

Kei Nishikori put a buzz into the U.S. Open crowd in New York and put himself into the history books, becoming the first Asian man to reach a Grand Slam tennis final.

Cooking dinner, having sex and going to the bathroom are three of the riskiest things you can do in many parts of the world.

NPR's Ari Shapiro talks with Atlantic immigration reporter Caitlin Dickerson about her extensive investigation into the Trump administration's family separation policy.

South Korea has been one of the top countries sending babies abroad for adoption for decades. Now, after an investigation triggered by hundreds of complaints from adoptees, the country has admitted its agencies mishandled adoptions.

On this week’s show, Dan Webster, Nathan Weinbender, and Mary Pat Treuthart discuss the very nature of comedy as they talk about two productions, one being the biographical 2-part streaming series on the late Paul Reubens titled “Pee-wee as Himself,” and the big-screen dark comedy “Friendship.”