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"A Haunting in Venice," “El Conde” & “Final Cut”

From left: Kenneth Branagh in A Haunting in Venice (2023); Jaime Vadell in El Conde (2023); Romain Duris in Final Cut (2022).
A Haunting in Venice, 20th Century Stud./Kinberg Genre/Mestiere Cinema/Scott Free Prod./TSG Ent./The Mark Gordon Co./Disney, 2023. El Conde, Fabula/Mubi/Netflix, 2023. Final Cut, Getaway Films/La Classe Américaine/SK Global/Blue Light/Kino Lorber, 2022.
From left: Kenneth Branagh in A Haunting in Venice (2023); Jaime Vadell in El Conde (2023); Romain Duris in Final Cut (2022).

Fright nights at the movies come in many forms, from ravenous sharks to evil paranormal entities to masked assassins wielding knives. On this week’s show, Dan Webster, Nathan Weinbender, and Mary Pat Treuthart will be discussing three films that offer up their own versions of frightful scenarios. First up is the theatrical release A Haunting in Venice, followed by two foreign-language streaming selections, Chile’s El Conde and France’s Final Cut.

Related Content
  • “Final Cut” is a French remake of a Japanese movie that, at heart, is a love letter to the art of moviemaking, Dan Webster says in his review.
  • Full of things that go bump in the night, “A Haunting in Venice” is as much an Agatha Christie adaptation as it is a straight-up horror film. It’s Kenneth Branagh’s third film as detective Hercule Poirot, and Nathan Weinbender says it’s his best so far.