Movie

"EPiC: Elvis Presley in Concert," a documentary playing on regular and IMAX screens around the country, is director Baz Luhrmann’s second film about the King. Nathan Weinbender says it’s a freewheeling testament to Elvis’s enduring power as a performer.

On this week's show, Nathan Weinbender and Mary Pat Treuthart discuss the five documentary features vying for the Oscar on March 15th and then preview the upcoming Spokane International Film Festival, running March 6th to 8th.

Everyone already has a strong opinion about Emerald Fennell’s maximalist retelling of “Wuthering Heights.” Nathan Weinbender is no exception: He says the movie is dramatically murky, emotionally inert and generally unbearable.

On this week’s show, Dan Webster, Nathan Weinbender and Mary Pat Treuthart discuss a pair of movies that feature characters in various stages of duress. The first is the latest adaptation of Emily Brontë’s novel “Wuthering Heights.” They follow that with the wild time-travel venture “Good Luck, Have Fun, Don’t Die.”

No matter what your stand is on the war in Gaza, Oscar-nominated “The Voice of Hind Rajab” is likely to break your heart, Dan Webster says.

On this week’s show, Dan Webster, Nathan Weinbender and Mary Pat Treuthart discuss three movies that focus on characters and how they interact, both positively and negatively, with the communities to which they belong—or, in some cases, merely encounter. They begin with “Magellan,” a film about the Portuguese navigator Ferdinand Magellan. And they follow up with “The Plague” and “Peter Hujar’s Day.”

“The Plague” is a study of middle-school angst that relies on its similarity to William Golding’s novel “Lord of the Flies,” Dan Webster says.

“Good Luck, Have Fun, Don’t Die” is as strange and unwieldy as its title. Nathan Weinbender says the new time-travel satire from Gore Verbinski is equal parts inventive and undisciplined.

“Send Help” is a bloody survivalist thriller from “Evil Dead” and “Spider-Man” director Sam Raimi. Nathan Weinbender says Rachel McAdams’s central performance is more ferocious than the movie itself.

On this week’s show, Dan Webster, Nathan Weinbender and Mary Pat Treuthart discuss three different examples of cinematic woman-power. “Send Help,” starring Rachel McAdams is one. “The Housemaid,” starring Amanda Seyfried and Spokane’s own Sydney Sweeney, is another. And as a third, they add in “A Private Life,” a French film that stars two-time Oscar winner Jodie Foster.