Film

While it doesn’t rank among the best of Pixar’s animated efforts, “Elio” does address some worthy emotional issues, Dan Webster says in his review.

André Holland stars in the strange, hallucinatory noir "The Actor," about a man with amnesia trying to piece his identity back together. It’s now on Hulu, and Nathan Weinbender says it’s worth a look.

On this week’s show, Dan Webster, Nathan Weinbender, and Mary Pat Treuthart discuss a pair of films that indulge in fantasy, each conforming to its particular genre. The first is the racing film “F1” and the second is the existentialist meditation titled “The Life of Chuck.”

“The Life of Chuck” is a meditation on this experience we call life, and how our memories give it meaning, Dan Webster says.

On this week’s show, Dan Webster, Nathan Weinbender, and Mary Pat Treuthart discuss a recently published list the New York Times editors are proclaiming as the "100 Best Movies of the 21st Century," and list their own picks for the top 10.

With “28 Years Later,” Danny Boyle makes something more than a simple zombie flick, Dan Webster says.

On this week’s show, Dan Webster, Nathan Weinbender, and Mary Pat Treuthart discuss two films that embody the emotion we know as love in entirely different ways. First up is Wes Anderson’s latest, titled “The Phoenician Scheme.” Following that is Celine Song’s second feature film, titled simply “Materialists.”

Danny Boyle and Alex Garland are back in the world of zombies for the box office hit “28 Years Later.” Nathan Weinbender says it’s weird, sick and often quite sad, and an intriguing set-up for an epic trilogy.

On this week’s show, Dan Webster, Nathan Weinbender, and Mary Pat Treuthart discuss Steven Spielberg's 1975 thriller "Jaws," which is enjoying the 50th anniversary of its release this month, and Akira Kurosawa's 1985 epic "Ran," which is celebrating its 40th anniversary.

Wes Anderson imbues his film “The Phoenician Scheme” with all the familiar, artistic trappings of his idiosyncratic style, Dan Webster says.