Film

On this week’s show, Dan Webster, Nathan Weinbender and Mary Pat Treuthart discuss the latest sci-fi space venture, “Project Hail Mary,” a Ryan Gosling vehicle based on Andy Weir’s best-selling novel. They also share their choices for, as they like to say, “their favorite space-travel movies that aren’t ‘2001: A Space Odyssey.’”

“Project Hail Mary” takes a serious subject and lightens it up with a buoyant Ryan Gosling performance, Dan Webster says.

On this week’s show, Dan Webster, Nathan Weinbender and Mary Pat Treuthart discuss the 98th Oscars broadcast, the wins and the shoulda-beens. Then they discuss another music-themed documentary, this one featuring the former Beatle Paul McCartney, Amazon Studio’s “Paul McCartney: Man on the Run.”

Forget the Golden Globes, the BAFTAs or the SAG awards, it’s the Oscars broadcast that movie fans care most about. On this week’s show, Dan Webster, Nathan Weinbender and Mary Pat Treuthart discuss the 98th Academy Awards, who is nominated, who has the best chances of winning and who they each think should win.

On this week’s show, Dan Webster, Nathan Weinbender and Mary Pat Treuthart discuss the importance of two cinema giants, artists who in their respective ways represented the best that moviemaking has to offer: the Oscar-winning actor Robert Duvall and the master documentary director Frederick Wiseman.

It’s been two and a half decades, but the documentary “WTO/99” recalls when Seattle’s streets were wracked with protests, Dan Webster says.

"EPiC: Elvis Presley in Concert," a documentary playing on regular and IMAX screens around the country, is director Baz Luhrmann’s second film about the King. Nathan Weinbender says it’s a freewheeling testament to Elvis’s enduring power as a performer.

On this week's show, Nathan Weinbender and Mary Pat Treuthart discuss the five documentary features vying for the Oscar on March 15th and then preview the upcoming Spokane International Film Festival, running March 6th to 8th.

Everyone already has a strong opinion about Emerald Fennell’s maximalist retelling of “Wuthering Heights.” Nathan Weinbender is no exception: He says the movie is dramatically murky, emotionally inert and generally unbearable.

On this week’s show, Dan Webster, Nathan Weinbender and Mary Pat Treuthart discuss a pair of movies that feature characters in various stages of duress. The first is the latest adaptation of Emily Brontë’s novel “Wuthering Heights.” They follow that with the wild time-travel venture “Good Luck, Have Fun, Don’t Die.”