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Film

  • Movies 101
    On this week’s show, Dan Webster, Nathan Weinbender and Mary Pat Treuthart talk about the contemporary moviegoing scene as the end of year 2025 approaches, whether that involves going to a theater or simply staying at home and taking advantage of your favorite streaming service.
  • Movies 101
    On this week’s show, Dan Webster, Nathan Weinbender and Mary Pat Treuthart discuss a pair of films that, each in its own way, focuses on characters who suffer from regrets that prove nearly, if not completely, paralyzing.
  • Movie Reviews
    The Netflix streaming feature “The Beast in Me” is a flawed-but-intense study of grief, revenge and sociopathy, Dan Webster says.
  • Movie Reviews
    Richard Linklater’s Netflix feature “Blue Moon” is a study in failed dreams and lifelong regret, Dan Webster says.
  • Movies 101
    On this week’s show, Dan Webster, Nathan Weinbender, and Mary Pat Treuthart discuss two films that explore the relationship between parent and child.
  • Movie Reviews
    Blue Moon is Richard Linklater’s second feature this year, a portrait of the troubled lyricist Lorenz Hart. Nathan Weinbender says it’s not a great Linklater film, but it does have a great Ethan Hawke performance in it.
  • Movies 101
    On this week’s show, Dan Webster, Nathan Weinbender, and Mary Pat Treuthart discuss two movies that focus on characters who don’t so much flirt with crime but embrace it wholeheartedly.
  • Movie Reviews
    If I Had Legs I’d Kick You: It’s an odd title and an odd movie. Nathan Weinbender says this polarizing, anxiety-inducing film, now available for digital rental, is a daring showcase for Rose Byrne.
  • Movies 101
    On this week’s show, Dan Webster, Nathan Weinbender, and Mary Pat Treuthart discuss the Apple TV five-part biographical miniseries “Mr. Scorsese” and offer up thoughts about some of the man’s choicest works.
  • Movie Reviews
    The dystopian thriller "The Running Man" has been brought into the present day by director Edgar Wright and star Glen Powell. Nathan Weinbender says it’s an uneven, overlong action-comedy blockbuster.