Movie Review

On this week’s show, Nathan Weinbender, Mary Pat Treuthart and Dan Webster recap their time at the recent Seattle International Film Festival. They talk about the SIFF experience and highlight some of their festival favorites.

On this week’s show, Dan Webster, Nathan Weinbender and Mary Pat Treuthart discuss a pair of streaming films. The first is a Belgian film by the Dardenne brothers titled “Young Mothers.” The other is a U.S.-based documentary about a Southern city titled “Natchez.”

On this week’s show, Dan Webster, Nathan Weinbender and Mary Pat Treuthart discuss the latest Hollywood wannabe blockbuster, “The Devil Wears Prada 2,” and then reveal what they expect from the 52nd Seattle International Film Festival, which kicks off May 7th.

A laid-off worker goes to desperate and violent extremes for a new job in Park Chan-wook’s “No Other Choice.” Nathan Weinbender says it’s one of the Korean master’s very best movies.

On this week’s show, Dan Webster, Nathan Weinbender, and Mary Pat Treuthart discuss two films that explore the relationship between parent and child.

Blue Moon is Richard Linklater’s second feature this year, a portrait of the troubled lyricist Lorenz Hart. Nathan Weinbender says it’s not a great Linklater film, but it does have a great Ethan Hawke performance in it.

If I Had Legs I’d Kick You: It’s an odd title and an odd movie. Nathan Weinbender says this polarizing, anxiety-inducing film, now available for digital rental, is a daring showcase for Rose Byrne.

The dystopian thriller "The Running Man" has been brought into the present day by director Edgar Wright and star Glen Powell. Nathan Weinbender says it’s an uneven, overlong action-comedy blockbuster.

In The Mastermind, Josh O’Connor is a 1970s family man who briefly moonlights as an art thief. Nathan Weinbender says this quiet, low-key drama is one of director Kelly Reichardt’s best.

Rebecca Miller’s 5-part Apple TV series “Mr. Scorsese” is an entertaining crash course in the revered director’s work. It may be preaching to the converted, Nathan Weinbender says, but the women in Scorsese’s life offer some fresh insights.