“The Bride!” is Maggie Gyllenhaal’s genre-defying reimagining of “Frankenstein” starring Jessie Buckley and Christian Bale. Nathan Weinbender says it’s a gutsy attempt, but it doesn’t know what to do with its many weighty themes.

It’s been two and a half decades, but the documentary “WTO/99” recalls when Seattle’s streets were wracked with protests, Dan Webster says.

"EPiC: Elvis Presley in Concert," a documentary playing on regular and IMAX screens around the country, is director Baz Luhrmann’s second film about the King. Nathan Weinbender says it’s a freewheeling testament to Elvis’s enduring power as a performer.

Everyone already has a strong opinion about Emerald Fennell’s maximalist retelling of “Wuthering Heights.” Nathan Weinbender is no exception: He says the movie is dramatically murky, emotionally inert and generally unbearable.

No matter what your stand is on the war in Gaza, Oscar-nominated “The Voice of Hind Rajab” is likely to break your heart, Dan Webster says.

“The Plague” is a study of middle-school angst that relies on its similarity to William Golding’s novel “Lord of the Flies,” Dan Webster says.

“Good Luck, Have Fun, Don’t Die” is as strange and unwieldy as its title. Nathan Weinbender says the new time-travel satire from Gore Verbinski is equal parts inventive and undisciplined.

“Send Help” is a bloody survivalist thriller from “Evil Dead” and “Spider-Man” director Sam Raimi. Nathan Weinbender says Rachel McAdams’s central performance is more ferocious than the movie itself.

“A Private Life” is a French attempt to capture the same kind of energy that “The Thin Man” did more than 90 years ago, Dan Webster says.

“Is This Thing On?” is, uniquely enough, an upbeat yet emotionally truthful movie about divorce, Dan Webster says.