”Hung Up on a Dream: The Zombies Documentary” is a sad/happy study of the 1960s British band, says Dan Webster.

Nathan Weinbender looks at two new movies about toxic male friendships: the psychological thriller "Lurker" and the bittersweet drama "Twinless."

"Caught Stealing" stars Austin Butler as a regular joe pulled into a criminal conspiracy in 1998 New York. Nathan Weinbender says the latest from director Darren Aronofsky plays like the cartoon version of a gritty thriller.

“Nobody 2” proves that when it comes to any offbeat action venture, once is usually enough, says Dan Webster.

Ethan Coen’s "Honey Don’t!" stars Margaret Qualley as a P.I. caught up in a series of murders. Nathan Weinbender says that, like last year’s “Drive-Away Dolls,” it doesn’t meet the standards of the director’s past work.

Among the many recent remakes, or reboots, of popular franchises, is “Freakier Friday” even necessary? Dan Webster asks.

Spike Lee’s latest joint "Highest 2 Lowest" is out, and Nathan Weinbender says it’s an uneven but thought-provoking redo of an Akira Kurosawa classic. It’s now playing at the Magic Lantern and is streaming on Apple TV+.

Zach Cregger’s latest film "Weapons" is an unruly horror-comedy epic about the disappearance of small children in a small town. Nathan Weinbender says it’s strange, sick, funny and mostly surprising.

“Sorry, Baby” takes us into the world of a woman still coming to grips years after a traumatic experience, Dan Webster says.

Dave Franco and Alison Brie star as a couple who are more than a little clingy in the gory thriller “Together.” Nathan Weinbender says the bloody special effects are inventive, but the plot is full of creaky horror clichés.