Among the many recent remakes, or reboots, of popular franchises, is “Freakier Friday” even necessary? Dan Webster asks.

“Sorry, Baby” takes us into the world of a woman still coming to grips years after a traumatic experience, Dan Webster says.

Embeth Davidtz’s film “Don’t Let’s Go to the Dogs Tonight” is powered by a 7-year-old’s powerful performance, Dan Webster says.

Ari Aster’s violent comedy "Eddington" has only been out for a week and it’s already the most divisive film of the year. Nathan Weinbender says it’s got a lot of ideas but doesn’t add up to much.

While it doesn’t rank among the best of Pixar’s animated efforts, “Elio” does address some worthy emotional issues, Dan Webster says in his review.

André Holland stars in the strange, hallucinatory noir "The Actor," about a man with amnesia trying to piece his identity back together. It’s now on Hulu, and Nathan Weinbender says it’s worth a look.

“The Life of Chuck” is a meditation on this experience we call life, and how our memories give it meaning, Dan Webster says.

With “28 Years Later,” Danny Boyle makes something more than a simple zombie flick, Dan Webster says.

Danny Boyle and Alex Garland are back in the world of zombies for the box office hit “28 Years Later.” Nathan Weinbender says it’s weird, sick and often quite sad, and an intriguing set-up for an epic trilogy.

Wes Anderson imbues his film “The Phoenician Scheme” with all the familiar, artistic trappings of his idiosyncratic style, Dan Webster says.