Maddie’s Secret, from comedian John Early, is a hard film to classify. It plays like an homage to a 1980s TV movie about a woman with an eating disorder, and Nathan Weinbender says it’s a surprisingly thoughtful and sometimes absurd study of an often-mocked genre.

With his film Fiume o Morte! director Igor Berzinović uses a novel way of telling the history of a troubled city, Dan Webster says.

The Love That Remains is an offbeat drama about nature, fate and an Icelandic family coming apart at the seams. It’s now streaming on the Criterion Channel, and Nathan Weinbender says it’s weird, compelling and, if you can get on its level, deeply rewarding.

Earth, Wind and Fire is the latest streaming documentary about a beloved musical act, in this case the groundbreaking funk band from Oscar winner Questlove. Nathan Weinbender says it’s an entertaining and surprisingly complicated portrait. It’s now streaming on HBO Max.

Who doesn’t like the Toy Story movies? The fifth installment of Pixar’s first franchise is now in theaters, and Nathan Weinbender says it’s an entertaining family adventure that mostly sticks to the same formula as its predecessors.

The Netflix documentary "Queen of Chess" tells the story of the first woman chess grandmaster, Hungary’s Judit Polgár, Dan Webster says.

Disclosure Day is the latest thriller from Steven Spielberg, a sci-fi parable about humanity, aliens and government cover-ups. It’s also, says Nathan Weinbender, a beautifully made jumble of a movie.

The Marked Woman brings a Spanish sense of suspense to a subject taken straight from the headlines, Dan Webster says.

Unlike most Hollywood horror film “Backrooms” preys simply on our inherent fears of the unknown – until it doesn’t, Dan Webster says.

Paul Rudd plays a struggling musician whose work is stolen by a pop star in Power Ballad, the latest from Once director John Carney. Nathan Weinbender says the movie’s tune is a familiar one, but it’s extremely likeable nonetheless.