EPiC: Elvis Presley in Concert, a documentary playing on regular and IMAX screens around the country, is director Baz Luhrmann’s second film about the King. Nathan Weinbender says it’s a freewheeling testament to Elvis’s enduring power as a performer.

Everyone already has a strong opinion about Emerald Fennell’s maximalist retelling of “Wuthering Heights.” Nathan Weinbender is no exception: He says the movie is dramatically murky, emotionally inert and generally unbearable.

No matter what your stand is on the war in Gaza, Oscar-nominated “The Voice of Hind Rajab” is likely to break your heart, Dan Webster says.

“The Plague” is a study of middle-school angst that relies on its similarity to William Golding’s novel “Lord of the Flies,” Dan Webster says.

“Good Luck, Have Fun, Don’t Die” is as strange and unwieldy as its title. Nathan Weinbender says the new time-travel satire from Gore Verbinski is equal parts inventive and undisciplined.

“Send Help” is a bloody survivalist thriller from “Evil Dead” and “Spider-Man” director Sam Raimi. Nathan Weinbender says Rachel McAdams’s central performance is more ferocious than the movie itself.

“A Private Life” is a French attempt to capture the same kind of energy that “The Thin Man” did more than 90 years ago, Dan Webster says.

“Is This Thing On?” is, uniquely enough, an upbeat yet emotionally truthful movie about divorce, Dan Webster says.

The fourth film in the long-running horror series, “28 Years Later: The Bone Temple” is a crazed, bloody apocalyptic nightmare directed by Nia DaCosta. Nathan Weinbender says it’s one of the standouts of the franchise.

“The Choral” is a tender look at how one English village struggles to cope with the ravages caused by World War I, Dan Webster says.