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Damien Chazelle scored a hit and a best director Oscar for his squeaky clean musical “La La Land.” Now he’s made the flip side, a violent, depraved Hollywood history called “Babylon.” Nathan Weinbender takes a look at the divisive epic, which he found to be an exhausting endurance test.

Director Susan Hardie and her cast preview a play about an unsung science pioneer

Artist Siri Stensberg describes her immersive new exhibition at SFCC

Now on Netflix, the documentary “Is That Black Enough for You?!?” tells the story of the rise of African-American filmmakers in the 1970s, telling stories through clips and interviews. Nathan Weinbender says your queue will practically double after watching this thoughtful visual essay.

It’s the final week of 2022, and movie fans everywhere are assembling their best-of lists. Nathan Weinbender is reflecting on the cinematic riches of the year and calling out some gems that are still waiting to be discovered on streaming platforms.

Brendan Fraser’s performance glows beneath a mound of makeup in “The Whale,” Dan Webster says in his movie review.

TA(P) this week looks at a new arts festival, a chamber concert, films and an improv show

Jim Tevenan's chat with Baroque Music Montana's founding director, Carrie Krause

Travel producer Rick Steves shares tips and trends for European travel in 2023