Search results for

Did you know Wes Anderson just released four new films, and that they’re all available on Netflix right now? This quartet of shorts, which add up to about 90 minutes total, are based on stories by Roald Dahl, and Nathan Weinbender says they’re fascinating, if minor, entries in the filmmaker’s canon.

From the director of the recent “Halloween” reboot series, “The Exorcist: Believer” is intended to introduce a new generation to a 50-year-old horror classic. But Nathan Weinbender says the power of Christ should compel you to stay far, far away from this boring would-be shocker.

“Fair Play” is a study of love, lust and the dark side of ambition played out in the financial sector, Dan Webster says in his review.

On this week’s show, Dan Webster, Nathan Weinbender, and Mary Pat Treuthart discuss a pair of films that explore very different notions of horror. One is the big screen franchise entry “The Exorcist: Believer,” released on the 50th anniversary of the late William Friedkin’s first in what became a staple horror series. The other is the turbulent domestic/business drama “Fair Play.”

Part poem, part prayer, today's reading aims to escape the "age of enragement"

The start of a week of readings that all share a common title and a purpose

On this week’s show, Dan Webster, Nathan Weinbender, and Mary Pat Treuthart discuss a pair of films, both streaming options, that revolve around scenarios in which humans act like animals. One is “Reptile,” a murder mystery starring Benicio Del Toro and the other is “The Beasts,” a French/Spanish study of culture clash.

Cast and creatives showcase and discuss their new staging of the rock musical

The director and a cast member offer insight into a feminist take on a classic horror tale

What is the weight of the present when it's put on a cosmic scale?