Community Calendar

Juaquetta hand spins unique yarn using local wool and alpaca. After washing she dyes and prepares these fibers to spin rustic yarns. She also knits, crochets and weaves garments to keep you warm. This is her 20th January as the guest artist at Pottery Place Plus ~ stop by First Friday Jan 2 from 5-8:30 to meet Juaquetta in person!

The work combines photography, embroidery, and slight collage tendencies to explore the intersections of infrastructure, memory, and identity - particularly the idea of connection in both physical and conceptual terms. Rooted in images of power lines and rural landscapes across the American West, my practice transforms photographic documentation through processes of layering, stitching, and erasure. These gestures act as forms of disruption and repair, reconfiguring the image as a tactile site where fragility and resilience coexist.
This exhibition envisions the power grid and hinterland as both literal and metaphorical systems of connection. These structures sustain communities while reflecting the invisible social and emotional frameworks that bind people to place. Through them, I consider how memory, perception, and belonging are mediated by the systems, both human and nonhuman, that surround us.
Informed by systems theory and object-oriented ontology, my practice examines how nonhuman networks - like power lines and rural spaces - reveal unseen forces of connection and dependency. Each work becomes both an image and an infrastructure: a conduit for exploring how power moves through us, how we maintain and repair what connects us, and how photography can serve as a space for reflection, disruption, and renewal.

The decade-long friendship between two rock goddesses is thrust into the spotlight after their mutual desire strikes a perfect—and very public—chord. Come on down to Auntie's to meet local author Jessica James for her second novel in the Glitter Bats series, For Our Next Song! Jessica will be in conversation with fellow romance author Bethany Bennett. This event is free and open to the public. RSVP via our website (not required). For Our Next Song is being released on January 13th and you can preorder it on our website!

Ready to play? Are you ready to WIN?? Too bad! Because in our improvised game show Choose to Lose, in order to win, you have to lose!

Two contestants from the audience will choose the players, decide the games, add challenges, and mix them all together for a wild fusion of comedy and chaos. Unlock hidden games from mysterious folders and see how your choices create the most absurd and funny combinations imaginable.

In a world where bad choices are celebrated and the only way to win is to LOSE. Expect bold humor, outrageous moments, and a night of laugh-out-loud entertainment as our contestants try to get as far in the negative as they possibly can!

This Intro course is being being done in collaboration with and being held at the Theatre Arts Center (TAC) at the Lake in Liberty Lake.

Our introduction to improv course is for everyone! Whether you're an improv veteran looking to get a brush-up on the basics or someone who's never even heard of improv until you came to our site, our introductory course is for you!

This 8-week in-person course is a perfect first step into improv for adults (18+). Play and laugh while facing fears and building confidence in yourself. You may even learn a thing or two about comedy along the way.

Dates: January 17 - March 14 (Saturdays - No class on February 21).
Time: 9:00 AM to 11:00 AM
Location: TAC at the Lake, 22910 E Appleway Ave, Liberty Lake, WA

A collection of new literary-based mixed media works and collages by local artist Tracy Poindexter-Canton, inspired by various books.

Some pieces draw directly from written sources, while others are created intuitively as visual vignettes that suggest their own narratives. Through layering, fragmentation, and assembly, the work explores how stories can be built, altered, and experienced through image and material.

Library Hours: Mon–Thurs & Sat: 9–6 Fri: 9–4 Sun: 12–4

Artist Reception: Sunday, January 18, 2–4 PM

Derek Antonelli, president of the Calypso Chapter (CDA region) of the Idaho Native Plant Society (INPS), will share insights and secrets of plants in Idaho's alpine regions. Take a journey with KNPS and Antonelli through some of Idaho's spectacular peaks and witness the beginnings and current status of this exciting project as it seeks to fully catalog the diversity of this challenging and beautiful ecosystem.

The Thanksgiving Address, also called "Greetings and Thanks to the Natural World", is an ancient indigenous statement of gratitude for the gifts of the natural world that sustain us all, as passed down for centuries by the people of the Haudenosaunee Confederation of northeast North America. The Liberty Gallery is pleased to exhibit art inspired by this statement of gratitude, created by nine local artists.

The show opens Dec 28th and continues to Jan 24th ~ stop by the Liberty Gallery on First Friday Jan 2 to Meet the Artists from 5-8:30 pm.

Juaquetta hand spins unique yarn using local wool and alpaca. After washing she dyes and prepares these fibers to spin rustic yarns. She also knits, crochets and weaves garments to keep you warm. This is her 20th January as the guest artist at Pottery Place Plus ~ stop by First Friday Jan 2 from 5-8:30 to meet Juaquetta in person!

The work combines photography, embroidery, and slight collage tendencies to explore the intersections of infrastructure, memory, and identity - particularly the idea of connection in both physical and conceptual terms. Rooted in images of power lines and rural landscapes across the American West, my practice transforms photographic documentation through processes of layering, stitching, and erasure. These gestures act as forms of disruption and repair, reconfiguring the image as a tactile site where fragility and resilience coexist.
This exhibition envisions the power grid and hinterland as both literal and metaphorical systems of connection. These structures sustain communities while reflecting the invisible social and emotional frameworks that bind people to place. Through them, I consider how memory, perception, and belonging are mediated by the systems, both human and nonhuman, that surround us.
Informed by systems theory and object-oriented ontology, my practice examines how nonhuman networks - like power lines and rural spaces - reveal unseen forces of connection and dependency. Each work becomes both an image and an infrastructure: a conduit for exploring how power moves through us, how we maintain and repair what connects us, and how photography can serve as a space for reflection, disruption, and renewal.