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CarliAnn Forthun Bruner, Melanie Rose Huff and Monica Mota discuss a new dance event

For those cursed to rhyme in verse, our poet begs for the nurse—or worse, the hearse.

On this week’s show, Dan Webster, Nathan Weinbender, and Mary Pat Treuthart will be discussing three films that offer up their own versions of frightful scenarios. First up is the theatrical release “A Haunting in Venice,” followed by two foreign-language streaming selections, Chile’s “El Conde” and France’s “Final Cut.”

With a nod to 1 Corinthians 15:52, a poet celebrates his instrument and community

Two short, animal-centric poems on life and mortality

The playwright–director and select cast members preview an all-new Spokane play

Full of things that go bump in the night, “A Haunting in Venice” is as much an Agatha Christie adaptation as it is a straight-up horror film. It’s Kenneth Branagh’s third film as detective Hercule Poirot, and Nathan Weinbender says it’s his best so far.

“Final Cut” is a French remake of a Japanese movie that, at heart, is a love letter to the art of moviemaking, Dan Webster says in his review.

Event organizers and participants talk about this year's multimedia arts showcase

A poet finds spiritual sanctuary in nature