Movies 101
KPBX: Friday 6:30pm-7pm | KSFC: Saturday 1pm-1:30pm
Movies 101 began mid-1999, as Spokane Public Radio's KSFC started establishing itself as a separate news and information service. As KSFC matured, so did Movies 101. The show has a loyal fan base and has now also been picked up on KPBX, Friday evenings at 6:30 PM. Movies 101 is currently produced by Spokane Public Radio's Membership & Production Assistant, Cassia Fox.
Latest Episodes
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Looking for a new movie to watch? You now have so many options on so many different streaming services that you might get overwhelmed and give up before you even start browsing. That also means a lot of good movies inevitably fall through the cracks. On this week’s show, Nathan Weinbender, Mary Pat Treuthart and Dan Webster sift through the last 5 years of cinematic offerings and unearth a few that they think deserve a wider audience.
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On this week’s show, Nathan Weinbender, Mary Pat Treuthart and Dan Webster look at the ongoing trend of so-called “legacy sequels,” films that revive cultural properties after years—and sometimes decades—of dormancy.
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On this week’s show, Nathan Weinbender, Mary Pat Treuthart and Dan Webster recap their time at the recent Seattle International Film Festival. They talk about the SIFF experience and highlight some of their festival favorites.
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On this week’s show, Dan Webster, Nathan Weinbender and Mary Pat Treuthart discuss a pair of streaming films. The first is a Belgian film by the Dardenne brothers titled “Young Mothers.” The other is a U.S.-based documentary about a Southern city titled “Natchez.”
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Film festivals typically, but not always, feature films that will hardly ever play at your local metroplex. Yet is possible, though again not always, to be fans of both mainstream and festival films. On this week’s show, Dan Webster, Nathan Weinbender and Mary Pat Treuthart discuss the latest Hollywood wannabe blockbuster, “The Devil Wears Prada 2,” and then reveal what they expect from the 52nd Seattle International Film Festival, which kicks off May 7th.
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One common source of drama involves putting characters in difficult situations. How they react can, and often does, result in powerful individual acting performances. On this week’s show, Dan Webster, Nathan Weinbender and Mary Pat Treuthart discuss two films that put characters in difficult situations. The first is “I Swear,” the based-on-real-events story of a man with Tourette’s Syndrome. The other is “Mother Mary,” a film starring Anne Hathaway as a pop star attempting a comeback who is forced to face secrets from her past.
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Among the several filmmakers whose work demands to be seen, Steven Soderbergh—for many of us—ranks somewhere in the Top Ten. On this week’s show, Dan Webster, Nathan Weinbender and Mary Pat Treuthart discuss Soderbergh’s newest film, “The Christophers,” which stars the great stage actor Ian McKellen. They follow that with a look at the latest film by the Palestinian-American director Cherien Dabis titled “All That’s Left of You.”
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It’s no secret that the success or failure of a movie depends largely on how well we can relate to its central characters. On this week’s show, Dan Webster, Nathan Weinbender and Mary Pat Treuthart discuss a pair of films boasting protagonists with wildly diverse appeals. The films are the theatrical release “Fantasy Life” and the streaming feature “Outcome.”
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Intensity and tension are important aspects of art. And this is especially true in cinematic art. On this week’s show, Dan Webster, Nathan Weinbender and Mary Pat Treuthart discuss two films that explore the meaning of tension in two different ways. The first is “The Drama,” a study of a couple about to be married who begin to obsess over something from the past. The other is “Crime 101,” an exploration of the lives of several desperate characters, one of whom embarks on a plan to get rich quick.
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Some people find foreign films intolerable. Others of us seek them out simply because they tend to offer something different from the usual Hollywood fare. On this week’s show, Dan Webster, Nathan Weinbender and Mary Pat Treuthart discuss two foreign films that are radically unique: the Oscar-nominated Spanish-French film “Sirāt” and the French film “Alpha.”