Characters in peril, whether physical and/or emotional, tend to make good movie material, especially when those of us in the viewing audience can relate to what’s going on. On this week’s show, Dan Webster, Nathan Weinbender and Mary Pat Treuthart discuss a pair of movies that feature characters in various stages of duress. The first is the latest adaptation of Emily Brontë’s novel “Wuthering Heights.” They follow that with the wild time-travel venture “Good Luck, Have Fun, Don’t Die.”

We all live in communities of one sort or another, but it’s each of our individual stories that filmmakers tend to explore. On this week’s show, Dan Webster, Nathan Weinbender and Mary Pat Treuthart discuss three movies that focus on characters and how they interact, both positively and negatively, with the communities to which they belong—or, in some cases, merely encounter. They begin with “Magellan,” a film about the Portuguese navigator Ferdinand Magellan. And they follow up with “The Plague” and “Peter Hujar’s Day.”

It’s been a few years since the feminist MeToo movement took root. Yet it’s still going strong, at least it is in the movie industry. On this week’s show, Dan Webster, Nathan Weinbender and Mary Pat Treuthart discuss three different examples of cinematic woman-power. “Send Help,” starring Rachel McAdams is one. “The Housemaid,” starring Amanda Seyfried and Spokane’s own Sydney Sweeney, is another. And as a third, they add in “A Private Life,” a French film that stars two-time Oscar winner Jodie Foster.

On this week’s show, Dan Webster, Nathan Weinbender and Mary Pat Treuthart discuss the recent Academy Awards nominations, the hits, the misses, the utter melodrama of it all. First, though, they take a look at "The Testament of Ann Lee," Mona Fastvold’s look at the woman who founded the offshoot of the Quaker church known as The Shakers.

As current events tell us, life—at times—is strange. And one of the most dependable movie themes involves characters who act strangely. On this week’s show, Dan Webster, Nathan Weinbender and Mary Pat Treuthart discuss two films peopled by characters who don’t act in manners that most of us would consider, for want of a better term, normal.

For movie fans, there’s nothing quite like losing yourself at a film festival. And that’s true whether we’re talking about Spokane’s annual event or something just a bit more national—or, more to the point, international. On this week’s show, Dan Webster, Nathan Weinbender and Mary Pat Treuthart first discuss the newest film by Park Chan-wook, titled “No Other Choice.” But then Mary Pat and Dan share their recent experience attending the 37th Palm Springs International Film Festival.

We’re entering the new year, and as always there is hope that life will improve. But we’re still left with the remains of the year that was. On this week’s show, Dan Webster, Nathan Weinbender and Mary Pat Treuthart discuss a pair of 2025 films that made a number of Best-of-the-Year lists: Josh Safdie’s "Marty Supreme" and Brazilian filmmaker Kleber Mendonça Filho’s "The Secret Agent."

Yes, it is now 2026, a year that at the turn of the century seemed, well, a century away. On this week’s show, Dan Webster, Nathan Weinbender and Mary Pat Treuthart will be doing what they annually do: giving their impressions of the past year’s films—the good, the bad and the ugly.

Every week, we here at Movies 101 central talk about the movies we see. Only on occasion, though, do we address movie-watching itself. On this week’s show, that’s exactly what Dan Webster, Nathan Weinbender and Mary Pat Treuthart will do: talk about the contemporary moviegoing scene as the end of year 2025 approaches, whether that involves going to a theater or simply staying at home and taking advantage of your favorite streaming service.

Of all the human emotions, save possibly grief, regret may well be the most incapacitating. On this week’s show, Dan Webster, Nathan Weinbender and Mary Pat Treuthart discuss a pair of films that, each in its own way, focuses on characters who suffer from regrets that prove nearly, if not completely, paralyzing.