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Ruby Ibarra describes her art as unfiltered, a quality that shines through in her band's 2019 Tiny Desk submission.

President Biden has invited a top group of bipartisan leaders in the House and Senate to come to the Oval Office and discuss his big economic plan. The proposal totals $4 trillion.

TA(P) this week looks at a new arts festival, a chamber concert, films and an improv show

The organizer and artists preview what's new about this year's event

On this week’s show, Dan Webster, Nathan Weinbender, and Mary Pat Treuthart will be discussing two films that fit that bill: the latest offering by writer-director Paul Schrader, “Master Gardener,” and by brothers Austin and Meredith Bragg, co-writer-directors of “Pinball: The Man Who Saved the Game."

On this week’s show, Dan Webster, Nathan Weinbender, and Mary Pat Treuthart will be discussing two streaming specials. First up is the urban drama “A Thousand and One” followed by the documentary “Little Richard: I Am Everything.”

On this week’s show, Dan Webster, Nathan Weinbender, and Mary Pat Treuthart will be tackling two films that truly are worth discussing. The first is Celine Song’s tale of nostalgia and romance, “Past Lives,” while the second is “Asteroid City,” Wes Anderson’s latest exercise in his trademark brand of quirk.

On this week’s show, Dan Webster, Nathan Weinbender, and Mary Pat Treuthart discuss two dives into imaginary worlds—one being the full-length feature “The Creator” and the other a series of short Wes Anderson films adapted from Roald Dahl short stories.

On this week’s show, Dan Webster, Nathan Weinbender, and Mary Pat Treuthart discuss a trio of movies that, each in its own distinctive way, explore the realms of imaginative fantasy—some, as always, better than others. The films are the theatrical releases “Inside Out 2” and “Tuesday,” followed by the streaming documentary “Brats.”

On this week’s show, Dan Webster, Nathan Weinbender, and Mary Pat Treuthart discuss three movies that attempt to tell stories about the inner workings of our personal lives. One is the intrepid grandma study “Thelma,” one is the theater-as-therapy exploration “Ghostlight” and one is the who-is-the-real-person project “Hit Man.”