Movie Reviews

On this week’s show, Dan Webster, Nathan Weinbender, and Mary Pat Treuthart discuss two movies that focus on characters who don’t so much flirt with crime but embrace it wholeheartedly.

On this week’s show, Dan Webster, Nathan Weinbender, and Mary Pat Treuthart discuss the Apple TV five-part biographical miniseries “Mr. Scorsese” and offer up thoughts about some of the man’s choicest works.

On this week’s show, Dan Webster, Nathan Weinbender, and Mary Pat Treuthart discuss two films that focus on characters showing signs of mania. The first is director Lynne Ramsay’s “Die My Love,” and the second is Guillermo del Toro's “Frankenstein."

On this week’s show, Dan Webster, Nathan Weinbender, and Mary Pat Treuthart discuss two films that tackle polar-opposite themes in an attempt to create cinematic art. The first is “Bugonia,” written and directed by the Greek-born filmmaker Yorgos Lanthimos. The second is “Train Dreams,” a film directed and co-written by Clint Bentley.

On this week’s show, Dan Webster, Nathan Weinbender, and Mary Pat Treuthart discuss “Springsteen: Deliver Me From Nowhere,” Scott Cooper’s study of Bruce Springsteen’s struggle to record his album “Nebraska,” followed by “It Was Just an Accident,” which is Iranian writer-director Jafar Panahi’s study of revenge and redemption.

On this week’s show, Nathan Weinbender, Mary Pat Treuthart, and Dan Webster try to provide an answer to the question, "what exactly is the point of movie criticism... or, more to the point, movie critics?"

On this week’s show, Dan Webster and Nathan Weinbender discuss a pair of films by critically-acclaimed filmmakers that swim, or sink, based on the strength of their screenplays.

In directing “Creed III,” filmmaker/star Michael B. Jordan shows that he knows how to handle a movie camera, Dan Webster says in his review.

The Oscars are coming on Sunday, and the question is—as has been true for the past couple of years—will the annual broadcast offer up any surprises? On this week’s show, Dan Webster, Nathan Weinbender, and Mary Pat Treuthart will be offering up their picks, both who they think will win and who they think should win. They’ll also review one of the Feature Documentary nominees, Laura Poitras’ “All the Beauty and the Bloodshed.”

Despite the occasional exception, European cinema has always felt different from American cinema. Call what they do more experimental, more serious, more thoughtful, whatever, European filmmakers—the best ones, at least—distinguish themselves by refusing to pander to mainstream tastes. This week Dan Webster, Nathan Weinbender and Mary Pat Treuthart discuss a pair of European films that are prime examples of the European filmmaking ethos. First up is the Polish-made EO followed by the Belgian-made Close.